Brief:
LƯƠNG Huệ Trinh is a dynamic Vietnamese multimedia composer and electroacoustic improviser who deftly integrates traditional and experimental music elements. Initially trained in jazz keyboard in Hanoi, she transitioned to electroacoustic composition, then completing her Master's in Multimedia Composition in Hamburg. Her artistic approach is characterized by cross-cultural exploration, creating immersive sonic landscapes that draw listeners into unique sound worlds, enriched by field recordings from her global travels and collaborations with local artists. Her practice extends beyond music, embracing multi-sensory performances that interweave sound with images, scenography, and site-specific interventions.

She has composed music for theater, dance, installation art, experimental film, painting performance, and contemporary ensemble works. LƯƠNG’s practice has garnered international recognition, with her work featured on global radio networks and presented at renowned museums, festivals, and universities across Asia, Europe, Oceania, North America, and Africa.

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Full:
LƯƠNG Huệ Trinh is a dynamic multimedia Vietnamese composer and electroacoustic improviser whose musical journey began at age 5. After entering the Vietnam National Academy of Music at 13 in 1998, she earned her Bachelor's in Jazz Keyboard in 2010. Her focus then shifted to electroacoustic music under the mentorship of Vietnamese composer Nguyễn Xuân Sơn (SonX).

From 2015 to 2018, LƯƠNG pursued advanced studies in Germany through a prestigious German Academic Exchange Service (DAAD) scholarship, completing New Techniques in Composition and a Master's in Multimedia Composition at the Hochschule für Musik & Theater Hamburg. There, she studied under renowned composers Georg Hajdu, Elmar Lampson, and Alexander Schubert.
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• How can I be tender ? (2023)
  for Grain~bau solo. Duration: 9'30"
  Premiere at Showcase Concert at the Future Art Lab - Klangtheater at University of Music and Performing Arts, Vienna - Austria.
  Commissioned for the artistic research project Études for Live-Electronics 2023 - 2025 by Alex Hofmann - Institut für Musikalische Akustik Wienner Kangstil.
• Đốm (2023)
  for two voices (traditional Vietnamese singing Ả Đào, experimental), Phách (wooden block), đàn Bầu, electronics, video & two performers. Duration: 10'
  Premiere at Sprengel Museum - Hanover, Overseas Museum - Bremen, Academy of Arts - Berlin, Germany; MotPlus - Saigon, 22 Hàng Buồm Cuture and Arts Center - Hanoi, Ồ Ạt Oh Art festival 2024 - Saigon, Vietnam.
  Commissioned for project TRAIECT IV Vietnam by Hannoversche Gesellschaft für Neue Musik (Hanover Society for New Music) - Germany.
  
• The glance of a fox (2023)
  for accordion and electronics. Duration: 09'
  Premiere at Alliance Française Accra - Ghana, Goethe Institut Ghana, and Paretzer Field Music, Ketzin - Germany.
  Commissioned by accordionist Eva Zöllner.
  
• SLANTED SILHOUETTES (2023)
  for traditional and contemporary music & dance, electronic & acoustic music, spokenword poetry & acting, video & scenography. Duration: 90'
  a multicultural, multimedia and site-specific performance designed for Alliance Française Accra with artists from Ghana, Vietnam, France, Togo, Germany & Cameroon.
  A production of Alliance Française Accra with the support from the French Embassy to Ghana, Canal +, Ibis Styles Hotel Accra, Sun Trade Beads, Yfm and Mx24 Tv.
  
• Nhấp nhoáng (2023)
  for Đàn Bầu, electronics, voice, objects and poetry. Duration: 45'
  a site-specific and music performance by Luong Hue Trinh and Ngo Tra My.
  Commissioned by the 33rd AngelicA International Music festival, Bologna - Italy.
  
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